Music and politics : collected writings, 1953-81 /
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Ithaca, NY :
Cornell University Press,
1982.
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Table des matières:
- Illustrations
- Publisher's note
- Introduction
- Chronology
- First works
- German music in the 1940's and 1950's
- The bourgeois artist
- Naples
- The message of Music
- Visconti and opera production
- Castelli Romani
- Music as a means of resistance
- instrumental composition
- Gustav mahler
- Second piano concerto
- experiments and the avant-garde
- Does music have to be political?
- Art and the revolution
- Second violin concerto
- The task of revolutionary music
- musical life in Cuba
- Signs
- Opera belongs to all
- A new journal
- Music for Edward Bond's orpheus
- Benjamin Britten
- Paul Dessau - The Montepulciano cantieri, 1976-80
- A letter to young artists.