Critical entertainments : music old and new /
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| Main Author: | |
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| Format: | Book |
| Published: |
Cambridge, MA :
Harvard University Press,
2000
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| 050 | 0 | |a ML 60 R7848 2000 | |
| 100 | 1 | |a Rosen, Charles, |d 1927- | |
| 245 | 1 | 0 | |a Critical entertainments : |b music old and new / |c Charles Rosen |
| 260 | |a Cambridge, MA : |b Harvard University Press, |c 2000 | ||
| 300 | |a 328 p | ||
| 505 | |a Performance and musicology / The aesthetics of stage fright -- The discipline of philology: oliver strunk -- The eighteenth century / Keyboard music of bach and handel -- The rediscovering of haydn -- Describing mozart -- Beaumarchais: inventor of morden opera - Radical, conventional mozart -- Beethoven's career -- Brahms/ Brahms: influence, plagiarism, and inspiration -- Brahms the subversive -- Brahms: classicism and the inspiration of Awkardness -- Musical studies: contrasting views / The benefits of authenticity -- Dictionaries: the old harvard -- Dictionaries: the new grove's -- The new musicology -- The crisis of the modern / Schoenberg: the possibilities of disquiet -- The performance of contemporary music: carter's double concerto -- The irrelevance of serious music | ||
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