Critical entertainments : music old and new /
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Cambridge, MA :
Harvard University Press,
2000
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Table of Contents:
- Performance and musicology / The aesthetics of stage fright
- The discipline of philology: oliver strunk
- The eighteenth century / Keyboard music of bach and handel
- The rediscovering of haydn
- Describing mozart
- Beaumarchais: inventor of morden opera - Radical, conventional mozart
- Beethoven's career
- Brahms/ Brahms: influence, plagiarism, and inspiration
- Brahms the subversive
- Brahms: classicism and the inspiration of Awkardness
- Musical studies: contrasting views / The benefits of authenticity
- Dictionaries: the old harvard
- Dictionaries: the new grove's
- The new musicology
- The crisis of the modern / Schoenberg: the possibilities of disquiet
- The performance of contemporary music: carter's double concerto
- The irrelevance of serious music